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I work with brands and artists on films and campaigns.
Nine costume looks in one day on 35mm. A brand partner leaves the video in post b/c cheerleader outfits and adult beverages do not mix (turned out to be an easy save). Found gold in a tricky edit. We caught lightning in a bottle to complete this video, her last Crash single before a bratty storm. Full story inside.
Sand dunes night shoot, infinite-zoom oner, the VFX was the edit. Barely made it out alive. Fitzcarraldo, but the mountain was After Effects.
The concept was Redondo on the run, fleeing south, dodging death at every corner. Then I found out Brendon and Tanya were about to have a baby, and the quieter story took over. We shot in their house, with their Cortez, their truck, their dog. A time capsule of their life, on celluloid. Full story inside.
One shot, 15 seconds, one model who keeps multiplying across a very detailed couch. Frankenstein compositing!
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15+ brand and creator channels at Little Dot Studios. 5B+ views and 5.1M subscribers across the tenure. Love Island packaging, Pokemon, originals programmed and written and thumbnailed.
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instead of yapping on ‘unique’ and ‘authentic’
i prefer, “how do we position and frame a project so it becomes what it’s trying to be?”
